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Issues When Considering Oil Painting
Oil painting is a many varied segment in the established areas of what an
artist works with as far as a medium to focus the artistic vision through,
and many artists in the past have had a long history with the style of
painting with oil-based colors and artwork, as this particular medium of
artistic expression has had a long history in the making. What oil painting
entails is the use of pigments that ground and mixed into a base of oil, and
especially the oils similar to linseed oil, which was a popular kind of oil
to use back in early modern Europe.
These oils would give the paint less of a yellowing effect, and would alter
the drying times and the sheen of the paint depending upon the oil used that
would give various properties to the pigment, other oils commonly used then
were poppy seed and walnut oils. Some painters have used various oils in
the same painting to mix effects, and depending on specific pigments as
desired, also the surface used can do much to change the effects of the oil
painting. A good example where an artist has used a different material
instead of canvas is Leonardo da Vinci’s Mona Lisa that was painted on a
wood panel surface.
Some of the rules applied to painting with oils are that each layer over the
first should be oilier than the layer below it to prevent from cracking and
peeling as it dries, traditional oil painting began with the paint being
mixed in a specific amount with turpentine, but there are other items which
can be utilized to prevent this such as varnish or cold wax. These
additional elements can be an aid to the painter in adjusting the
translucency of the paint, the sheen of the paint, the density of the paint,
or can even be used to change the ability of the paint to hold or conceal
brushstrokes.
These various traits of the oil paint are greatly related to the expressive
capacity of the oil paint, aiding in the choices made by the artist as they
applied the paint, and allowing a sense of those choices from the viewers’
standpoint. Moving the paint is done with palette knives, rags, or even
directly from the paint tube itself, though to be removed, one must do so
while the paint is wet or scraping may be required to take off the layer.
Before this ends up being necessary, a rag dipped in turpentine can remove
the layer previous, and oil-based paint dries through oxidation not
evaporation so it may feel dry after a day.
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